…all my videos under My Vimeo

★Every Dawn The First Man (2020)

A [docu]-commentary on our lives in Stuttgart and Amman in times of COVID-19 – By Deema Shahin (cinematography) & Céline Papion (composition & Cello)


★OTTO – Music theatre piece for „OTTO“, cello & live electronics – Teaser (2018)

By Drescher & Papion Productions


★Zupfenstreich – Trailer (2018) a small concert for little listeners

Performed by Marie Muks (Franziska Schmitz, performance & Céline Papion, Cello)
Stage director: Julia Dina Heße


★PUSS – Pop Up Stage Stuttgart (2018) a three-days Festival in the heart of stuttgart

PUSS ist eine temporäre Bühne, die sich dem Thema Hören widmet und von Neue Musik & Theater Akteure bespielt wird.
Konzept & künstlerische Leitung: Marie Muks (Céline Papion & Franziska Schmitz) und Joerg Hildenbrand
mehr unter: WWW.PUSS.ROCKS


★Bäch in Borneo (2017) for cello and playback

Music by Joseph Michaels
Performed by Céline Papion, Cello


★Kantate BWV 249: 3 Coro „Kommt, eilet und laufet, ihr flüchtigen Füße“

Johann Sebastian Bach
Performered by Solistenensemble Stimmkunst & Stiftsbarock Stuttgart | Leitung: Kay Johannsen


★Kinectic Distance II (2016) for Cello & Shakuhachi

Music by Huihui Cheng
Performed by James Nyoraku Schlefer, Shakuhachi – Céline Papion, Cello


★HUIT (extraits) – avec Arsys Bourgogne

Arsys Bourgogne / Direction Mihály Zeke, direction
Enregistré à l’église Saint-Jacques (Asquins) en novembre 2015


★Richter 1 (2014) for cello, Live-electronics & Video

Music by Jesse Ronneau
Performered by Céline Papion, cello – Jesse Ronneau, electronics



★Moment-Curitiba (2011) for cello, piano and film

Music by Joseph Michaels, Film by Yukihiro Taguchi
Performered by ensemble Céline Papion, cello – Junko Yamamoto, piano

“The music for “Moment, Curitiba” acts as both accompaniment and antagonist: it matches the constant movement of the film through repetitious, quick rhythms, or it decreases to a slow pace either in one or both instruments, thereby creating tension with the visuals. “Moment, Curitiba” was written for Céline Papion and Junko Yamamoto of ensemble, who commissioned the work.” Joseph Michaels



★Visões Noturnas (2002) for cello and piano

Music by Harry Crowl
Performered by ensemble Céline Papion, cello – Junko Yamamoto, piano

“I’ve always been fascinated by the world of “magic realism” or “fantastic realism” present in many literary works by writers from Mexico, Argentina and Colombia. The stories by Jorge Luis Borges, Gabriel Garcia Marquez and some others exerted great influence on my thoughts. Besides that, I was back than discovering the world of a late Symbolistic poetry done in southern Brazil during the early 20th century. I drew abstract pictures from these worlds. Something like hallucinations, nightmares, wonderful dreams, boozes…” Harry Crowl



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